Recording & Production
Pre-production, demos, live tracking, overdubs, vocals, full-band sessions, and hands-on music production.
Established 2008 · Mesa, Arizona
Hit Warehouse is a Mesa, Arizona recording studio and media production house built for music, professional podcasts, founder video, product content, and post-production—with production sound and aerial capture available on location.

Music at Hit Warehouse
No sprawling menu and no assembly line. When music bookings return, Hit Warehouse will focus on select projects, real collaboration, strong performances, and records everyone involved can be proud of.
Pre-production, demos, live tracking, overdubs, vocals, full-band sessions, and hands-on music production.
Detailed editing, vocal tuning, timing, creative mix decisions, hybrid processing, and delivery-ready mixes.
Final tonal balance, dynamics, sequencing, and translation for digital release, broadcast, and physical formats.
Sound for picture, ADR, foley, voice-over, audio restoration, forensics, and broadcast production.
Designed around the performance
The original Mesa studio was converted from foundation to ceiling with isolation, acoustic treatment, integrated cabling, custom power, and clear lines of sight between performers and the control room.
A tuned critical-listening environment built around Pro Tools HD, Focal monitoring, flexible routing, and hybrid analog-digital production.
A flexible acoustic space for ensembles, guitars, bass, and acoustic instruments—with movable treatment to shape room character.
One of the facility’s signature spaces, engineered for weight, definition, controlled ambience, and genuine room sound.
High isolation for intimate vocals, live-session separation, amplifier isolation, ADR, and professional voice-over work.
A dedicated room with additional grounding circuits and enough air for cabinets to sound open instead of boxed in.
Studio & production gear
The Hit Warehouse system extends from the control room to the camera line and out into the field—built around reliable capture, accurate monitoring, clean handoffs, and fewer technical distractions when the work matters.

Full-frame Sony bodies for compact cinema builds, high-resolution commercial photography, interviews, podcasts, product work, and multicamera production.
A fast, flexible full-frame lens set spanning ultra-wide environments, low-light primes, general production, telephoto coverage, and detailed product macro.
Daylight and color-capable point-source fixtures with flexible diffusion and shaping for interviews, product sets, location work, photography, and controlled studio production.
Professional dialogue and field-recording tools for interviews, documentary, commercial, multicamera, and experiential production.
Commercial aerial capture for film, brand, location, property, product, and documentary production—with experienced flight planning and a production-set workflow.
Picture and audio finishing from editorial through delivery, supported by an accurate studio monitoring environment.
The next chapter
The road became the classroom
When the Mesa facility was conceived in 2013, Hit Warehouse was always intended to become more than a recording studio. The vision was a true multimedia production house—one place where sound, picture, story, technology, and creative execution could work together.
Then the work went on the road. What began with production sound and aerial cinema grew into years alongside film crews, agencies, national brand teams, experiential product launches, location productions, remote multicamera broadcasts, e-commerce operations, and brand leadership. It was more time away from the studio than expected—and exactly the experience this next chapter needed.
Now that knowledge comes home. Hit Warehouse is being rebuilt to give hardworking small and midsize businesses access to the production discipline, techniques, and integrated thinking more commonly found behind national campaigns and deep production budgets—scaled to the real needs of growing companies. The complementary growth strategy and business-systems work behind that mission lives at the RevenueTHESIS growth strategy consultancy.
Music remains part of the studio's DNA. Select recording and production projects are planned for a later phase of the relaunch.
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From the session archive
The final phase of an EP, a decisive vocal performance, and a preview from inside the room.
The first artists and sessions through the doors of the Mesa facility.
A basement beginning, a music community, and the long route to a purpose-built Arizona studio.
A studio with a past
Hit Warehouse begins in Newburgh, Indiana, serving the surrounding Tri-State music community.
Founder Nicholas Gasmena pursues engineering work in Nashville before moving west to Phoenix.
A property is acquired for a purpose-built recording studio conceived from the beginning as the foundation of a broader multimedia production house.
The converted facility begins welcoming musicians, songwriters, bands, and production projects into the new rooms.
Among the early wave of FAA Part 107 remote pilots, Nick begins spending more time on location with film crews, agencies, and national brand teams.
Work expands into documentary sound, drone cinematography, winery productions, 360° capture, ambisonic audio, experiential media, and multicamera live events.
Three years as a founding team member and Director of Operations for Amped Electric Games and The Electric Angels, including directing remote multicamera live broadcasts from events across the country.
Director of Brand & Marketing at REV Rides, connecting strategy, product launches, education, content, SEO, and community growth.
The original session stories and facility history are being preserved while Hit Warehouse evolves into a modern home for podcasts, expert video, product content, and post-production.