Studio relaunch in development · The archive is live while a new production space takes shape

Established 2008 · Mesa, Arizona

Mesa Recording Studio & Media ProductionMake the take matter.

Hit Warehouse is a Mesa, Arizona recording studio and media production house built for music, professional podcasts, founder video, product content, and post-production—with production sound and aerial capture available on location.

HW / Control Room Recording
Three musicians rehearsing guitar, bass and keyboards in the Hit Warehouse live room in Mesa, Arizona
Connect. Collaborate.Create. Record.
Illuminated analog VU meters showing recording levels in the Hit Warehouse control room

Music at Hit Warehouse

Damn good music. Damn good people.

No sprawling menu and no assembly line. When music bookings return, Hit Warehouse will focus on select projects, real collaboration, strong performances, and records everyone involved can be proud of.

01 / REC

Recording & Production

Pre-production, demos, live tracking, overdubs, vocals, full-band sessions, and hands-on music production.

02 / MIX

Editing & Mixing

Detailed editing, vocal tuning, timing, creative mix decisions, hybrid processing, and delivery-ready mixes.

03 / MSTR

Mastering

Final tonal balance, dynamics, sequencing, and translation for digital release, broadcast, and physical formats.

04 / POST

Audio Post

Sound for picture, ADR, foley, voice-over, audio restoration, forensics, and broadcast production.

Guitarist, bassist and keyboard player rehearsing together in the Hit Warehouse live room
Live room / session archiveMesa, AZ

Designed around the performance

Five rooms. One connected instrument.

The original Mesa studio was converted from foundation to ceiling with isolation, acoustic treatment, integrated cabling, custom power, and clear lines of sight between performers and the control room.

01

Control Room

A tuned critical-listening environment built around Pro Tools HD, Focal monitoring, flexible routing, and hybrid analog-digital production.

02

Live Room

A flexible acoustic space for ensembles, guitars, bass, and acoustic instruments—with movable treatment to shape room character.

03

Drum Room

One of the facility’s signature spaces, engineered for weight, definition, controlled ambience, and genuine room sound.

04

Vocal Booth

High isolation for intimate vocals, live-session separation, amplifier isolation, ADR, and professional voice-over work.

05

Amp Room

A dedicated room with additional grounding circuits and enough air for cabinets to sound open instead of boxed in.

Studio & production gear

Tools in service of the story.

The Hit Warehouse system extends from the control room to the camera line and out into the field—built around reliable capture, accurate monitoring, clean handoffs, and fewer technical distractions when the work matters.

Front end

  • API 3124+
  • Vintech 473
  • Universal Audio 4-710D
  • Focusrite ISA 220
  • Warm Audio WA76

Monitoring & control

  • Focal Twin monitors
  • Three Focal Solo6 Be monitors
  • Focal Sub6
  • 5.1 surround mixing configuration
  • Integrated patch and cue network
Close-up of microphone preamp controls and phantom-power switches in the Hit Warehouse studio rack
Studio A / Outboard Rack Signal present
Bank of illuminated analog VU meters used to monitor recording levels
CAM / CINEMA & HYBRID

Cameras

Full-frame Sony bodies for compact cinema builds, high-resolution commercial photography, interviews, podcasts, product work, and multicamera production.

  • Sony FX3 Cinema Line
  • Sony α1 II
OPTICS / SONY E-MOUNT

Lenses

A fast, flexible full-frame lens set spanning ultra-wide environments, low-light primes, general production, telephoto coverage, and detailed product macro.

  • Sony FE 12–24mm F2.8 GM
  • Sony FE 24mm F1.4 GM
  • Sony FE 24–105mm F4 G OSS
  • Sony FE 28–70mm F2 GM
  • Sony FE 70–200mm F2.8 GM OSS II
  • Sony FE 90mm F2.8 Macro G OSS
LIGHT / CONTROL & MODIFIERS

Lighting

Daylight and color-capable point-source fixtures with flexible diffusion and shaping for interviews, product sets, location work, photography, and controlled studio production.

  • Aputure LS 600d Pro
  • Aputure LS 300d II
  • Aputure LS 120d
  • 2× Nanlite Forza 30C II
  • Diffusion and modifier assortment
  • Photography flash kit
SOUND / LOCATION

Production Sound

Professional dialogue and field-recording tools for interviews, documentary, commercial, multicamera, and experiential production.

  • Sound Devices 633 mixer/recorder
  • Lectrosonics wireless systems
  • 2× Sennheiser MKE 2 Gold lavaliers
  • Sennheiser MKH 416 shotgun microphone
  • Sennheiser MKH 50 microphone
  • DJI wireless microphone sets
AIR / FAA PART 107

Drone & Aerial Cinema

Commercial aerial capture for film, brand, location, property, product, and documentary production—with experienced flight planning and a production-set workflow.

  • DJI Inspire 2
  • DJI Avata 2
  • FAA Part 107 certified since 2016
POST / PICTURE & SOUND

Post-Production

Picture and audio finishing from editorial through delivery, supported by an accurate studio monitoring environment.

  • DaVinci Resolve
  • Pro Tools HD
  • Focal 5.1 surround monitoring

The next chapter

A production house built for the way brands communicate now.

Now in developmentHit Warehouse is being thoughtfully re-fit for modern content production. The rooms, workflow, and technology are evolving; public booking dates will be announced when the experience is ready.

The road became the classroom

Not a pivot. A return to the original plan.

When the Mesa facility was conceived in 2013, Hit Warehouse was always intended to become more than a recording studio. The vision was a true multimedia production house—one place where sound, picture, story, technology, and creative execution could work together.

Then the work went on the road. What began with production sound and aerial cinema grew into years alongside film crews, agencies, national brand teams, experiential product launches, location productions, remote multicamera broadcasts, e-commerce operations, and brand leadership. It was more time away from the studio than expected—and exactly the experience this next chapter needed.

Now that knowledge comes home. Hit Warehouse is being rebuilt to give hardworking small and midsize businesses access to the production discipline, techniques, and integrated thinking more commonly found behind national campaigns and deep production budgets—scaled to the real needs of growing companies. The complementary growth strategy and business-systems work behind that mission lives at the RevenueTHESIS growth strategy consultancy.

  • Brand & product launches
  • Location production
  • Multicamera broadcast
  • E-commerce leadership
  • Operations & event delivery
01 / Podcast

Professional Podcasts

Multi-camera conversations, broadcast-quality audio, guest-ready sets, and a streamlined path from recording through finished episodes.

02 / Camera

Founder & Expert Video

Polished talking-head videos, interviews, education, thought leadership, and campaign content designed to feel credible on every screen.

03 / Product

Product Content

Controlled product shoots, demonstrations, launch assets, promotional material, and practical content systems for growing brands.

04 / Post

Post-Production

Editorial, dialogue cleanup, sound design, color, mixing, versioning, and final delivery under one production-minded roof.

Music remains part of the studio's DNA. Select recording and production projects are planned for a later phase of the relaunch.

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Join the relaunch list for build updates, booking announcements, new production services, and restored stories from the archive.

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A studio with a past

Built one room—and one relationship—at a time.

  1. 2008

    Doors open

    Hit Warehouse begins in Newburgh, Indiana, serving the surrounding Tri-State music community.

  2. 2010

    New direction

    Founder Nicholas Gasmena pursues engineering work in Nashville before moving west to Phoenix.

  3. 2013

    Mesa vision

    A property is acquired for a purpose-built recording studio conceived from the beginning as the foundation of a broader multimedia production house.

  4. 2014

    Red light on

    The converted facility begins welcoming musicians, songwriters, bands, and production projects into the new rooms.

  5. 2016

    Sound & drone

    Among the early wave of FAA Part 107 remote pilots, Nick begins spending more time on location with film crews, agencies, and national brand teams.

  6. 2017–21

    Immersive production

    Work expands into documentary sound, drone cinematography, winery productions, 360° capture, ambisonic audio, experiential media, and multicamera live events.

  7. 2022–25

    Operations & broadcast

    Three years as a founding team member and Director of Operations for Amped Electric Games and The Electric Angels, including directing remote multicamera live broadcasts from events across the country.

  8. 2023–26

    Brand leadership

    Director of Brand & Marketing at REV Rides, connecting strategy, product launches, education, content, SEO, and community growth.

The archive is back. The next build has begun.

The original session stories and facility history are being preserved while Hit Warehouse evolves into a modern home for podcasts, expert video, product content, and post-production.

Follow the relaunch