Studio, Camera, Lighting & Production Equipment
Equipment matters when it removes friction, protects the capture, and gives the production meaningful creative choices. Hit Warehouse maintains and sources tools for recording, interviews, establishing shots, B-roll, product work, field sound, aerial cinema, transcription, and picture-and-sound post-production.
Cameras and lenses
The camera package includes Sony FX3 Cinema Line and Sony α1 II bodies. Full-frame Sony lenses cover ultra-wide environments, low-light primes, general production, telephoto work, interviews, establishing shots, B-roll, and detailed product macro.
Teleprompter and interview support
- On-camera teleprompter system for scripted interviews, executive messages, training, and direct-to-camera delivery
- Remote producer and director participation through Zoom or FaceTime
- External timecode synchronization workflow available by request
- Independent 5G and satellite connectivity, subject to site conditions and service availability
Lighting and visual control
Aputure LS 600d Pro, LS 300d II, and LS 120d fixtures are supported by two Nanlite Forza 30C II fixtures, diffusion, modifiers, shaping tools, practical-light integration, and photography flash equipment. The package can scale from a standard two-light interview to enhanced background, product, and environmental lighting.
Production sound
Location dialogue and field recording are built around a Sound Devices 633, Lectrosonics wireless systems, Sennheiser MKE 2 Gold lavaliers, MKH 416 and MKH 50 microphones, and DJI wireless systems. These tools support interviews, voice-over, ADR, documentary dialogue, podcasts, commercials, and field recording.
Recording front end
- API 3124+
- Vintech 473
- Universal Audio 4-710D
- Focusrite ISA 220
- Warm Audio WA76
Monitoring and control
- Focal Twin monitors
- Three Focal Solo6 Be monitors
- Focal Sub6
- 5.1 surround monitoring configuration
- Integrated patch and cue network
Aerial production
DJI Inspire 2 and Avata 2 aircraft support planned establishing shots and aerial coverage under FAA Part 107 operations. Every flight remains subject to airspace authorization, weather, property permission, site safety, and assignment requirements.
DaVinci Resolve and Pro Tools post-production
DaVinci Resolve supports multicamera editing, B-roll integration, social cutdowns, color correction, reframing, titles, captions, cleanup, restoration, and delivery. Pro Tools HD supports dialogue and voice-over editing, noise reduction, comping, restoration, sound design, mixing, mastering, and final audio preparation. Transcription and caption workflows can be incorporated for interviews, podcasts, training, documentary, and branded content.
Equipment is configured for the assignment, and specific availability is confirmed during pre-production. See the standard interview package and add-ons or request a custom scope.
Frequently asked questions
Does Hit Warehouse provide a teleprompter for video production?
Yes. An on-camera teleprompter is available for scripted interviews, executive messages, training videos, and direct-to-camera delivery.
Which software is used for audio and video post-production?
DaVinci Resolve supports picture editing, color, titles, captions, reframing, and delivery. Pro Tools HD supports dialogue, voice-over, music, restoration, mixing, mastering, and sound-for-picture workflows.
Can additional production equipment be added?
Yes. Additional cameras, lighting, grip, audio, teleprompter, external timecode synchronization, aerial capture, connectivity, and crew can be scoped according to the assignment.
Is drone coverage always available?
Drone work is planned under FAA Part 107 operations and remains subject to airspace, weather, property permission, site safety, and assignment requirements.