Hit Warehouse is being rebuilt around a simple idea: artists, experts, and brands should be able to record, film, photograph, broadcast, and finish content through one thoughtfully connected production workflow.
Current availability: Studio sessions and studio renovations are booked through December 2026. On-location interview, production-sound, video, photography, and aerial-production inquiries remain welcome while the facility work continues.
A recording studio evolving into a broadcast-ready production house
The Mesa facility was conceived as more than a place to record music. Its isolated rooms, integrated cabling, control room, sightlines, and post-production environment created a foundation for sound and picture to work together. The current renovation is bringing that original plan forward with updated studio and production equipment for music, live broadcast, video, and photography.
The objective is not to bolt cameras onto an audio room. It is to create repeatable production systems in which lighting, microphones, cameras, monitoring, switching, recording, connectivity, and post-production are planned together.
Professional podcast studios for recorded and live programs
New podcast environments are being developed for interviews, branded series, artist conversations, expert programs, training, and live shows. Planned capabilities include:
- UHD 4K camera capture and streaming workflows for major platforms.
- Live multicamera video switching for broadcast-ready programs.
- Broadcast-quality lighting designed around faces, sets, and camera consistency.
- Shure SM7B microphones or DJI wireless lavaliers selected for the format and visual style.
- Isolated multitrack audio and individual camera recordings for editing, cleanup, reframing, corrections, and future versions.
- Multiple set designs so productions can choose an environment that fits the artist, subject, audience, or brand.
- Remote guest, producer, and director participation supported by the studio’s expanding broadcast workflow.
Recording every source independently matters. A clean program can go live, while isolated originals preserve the flexibility to create polished episodes, short-form clips, captions, alternate edits, and audio-only versions afterward.
A repeatable photography and product-content set
A dedicated photography set is also being configured for portraits, professional headshots, artist imagery, products, demonstrations, and repeatable photo/video capture. Controlled lighting, backgrounds, camera positions, product surfaces, and documented settings will make it easier to reproduce a successful look across a campaign or return months later for matching content.
For brands, that repeatability reduces setup time and visual drift. For artists and professionals, it creates a comfortable place to capture headshots, cover art, promotional images, talking-head video, social content, and product details without rebuilding the entire production plan for every deliverable.
Facility work that protects the session
Some of the most important improvements will never appear on camera. New mini-split air-conditioning systems are being installed to replace an unreliable existing unit. Reliable, room-specific climate control supports comfortable performers and crews, protects equipment, and makes longer recording, photography, and broadcast sessions more predictable.
Experience from the studio, the set, and the live control room
Founder Nick Gasmena’s background spans music production and engineering, production sound, drone cinematography, camera work, sound design, post-production, live-event operations, remote multicamera broadcasts, ecommerce content, and brand leadership. Verified credits include production sound for Forever Home and Vintage Arizona, camera and sound-post work for Human Threads, and music-production work documented by artists including Annie Moscow.
From 2022 through 2025, he served as a founding team member and Director of Operations for Amped Electric Games and The Electric Angels, including directing remote multicamera broadcasts from national events. His work as Director of Brand & Marketing at REV Rides adds the client-side perspective: content must be technically strong, but it must also answer questions, support product launches, build trust, and earn attention.
What this means for future clients
Hit Warehouse 2.0 is being designed to support complete assignments rather than isolated technical tasks: record the conversation, switch the live show, preserve clean originals, photograph the people and products, build the edit, clean and mix the audio, finish the color, create platform versions, transcribe the material, and deliver organized assets.
Public booking details for the renovated studio will be announced after the facility and workflows are ready. Until then, explore on-location interview production, review the current production equipment, learn more about Hit Warehouse and Nick Gasmena, or discuss a future production.
Frequently asked questions
When will the renovated Hit Warehouse studio accept bookings?
Studio sessions and renovation work are currently booked through December 2026. Public availability for the updated podcast, broadcast, photography, product-content, and recording spaces will be announced when the rooms and workflows are ready. On-location production inquiries remain welcome.
Will the podcast studio support live streaming and separate recordings?
The planned workflow includes UHD 4K capture and streaming to major platforms, live video switching, broadcast-quality lighting, professional microphones, and isolated audio and camera recordings for post-production and versioning.
What photography services are being developed?
The photography set is being designed for portraits, headshots, artist imagery, product photography, product video, demonstrations, and repeatable campaign content using controlled and documented lighting, backgrounds, surfaces, and camera positions.